![]() ![]() Her work thus questions the politics of representation.Įrdrich's early novels, Love Medicine (1984, 1993) and Theīeet Queen (1986), have received the highest praise for their stylisticīeauty and lyricism, yet they also have been criticized for a lack of Manipulative ways in the service of a dominant group's ideology. People, and their culture, who have been unrepresented or represented in ![]() In Erdrich's work this paradox plays itself out in representing a That simultaneously asserts and denies the presence of voice makesĮxplicit the paradoxical presence and absence that is the condition ofĪll language, of all texts as they compose words to call forth a world. ![]() Paradox of employing and glorifying the oral tradition and itsĬulturally cohesive function by inscribing this tradition.(1) The text In her novels Love Medicine and Tracks, Louise Erdrich engages the The language of margins and borders marks a position of paradox:
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